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Moss near Madison Market (also known as Central Co-op)

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Writing 50,000 Words in a Month

So, for the month of November, I wrote. I wrote a lot. I wrote about 55,000 words in total. The event was the National Novel Writing Month, or for those in the know, NaNoWriMo. 50,000 words in a month (30 days) equals out to about 1,667 words a day on average. This means about an hour to two a day for a month. I must say, it was difficult. At first. But, after doing it for awhile and foregoing social events, I felt inspired by my own abilities and I wrote with relish most days following the initial ten or so. This was what I was engaged in while I was leaving this blog to disuse. So, now I have spent the day logging posts for the possible enjoyment of my small crowd. The novel in question is a ramshackle affair whose parts may be stronger than its whole. A rubric of ideas from which I may pull, if you will. I will share a small section and cease my bloggish rambling.

"The bus was an experience which truly showed the heart of the city and which varied depending on the part of the city the bus was in. In this section, the University District to Ballard, it tended to be quiet weirdos, loud weirdos, totally middle of the road new generation business men (who read the Seattle Times and tried not to look uncomfortable in their suits), or students. His experience on the bus was mostly one of scholarship, or rather he would read vigorously, shutting out the world around him and occasionally peeking his head out of the words to check his location. To be able to read on a moving vehicle, he had had to train himself, tune certain parts of his brain into not reacting to the movement of the bus and rather focusing on the movement of the eyes across the landscape of words. He was very pleased with himself whenever he thought of it. The bus allowed certain opportunities such as this which were not an option on the bike. This made him feel less guilty about leaving his spry little bike hiding in the bike room, gathering dust. He read and sometimes wrote. When he wrote he would look out in front of him into the infinite cave of thought, or observe his neighbors for inspiration. At this moment, on this day of his riding, just in front of him, in the seat before him, were two young men, students it seemed, who thought everything was funny and whose laughs were an awkward ordeal that couldn’t hide their own uncomfortableness with their own man bodies and man voices and man to man relationships.
One of the two man-boys was a small giant with knobby sausage fingers, whose nails looked like small square plates pushed deep into putty. These fingers were the outlet of his insecurities and his uncomfortableness. He grabbed the purple plastic handle on the seat in front of him like he was grabbing the ears of a small child, big putty hands on each side of the thing, and he began to thumb at the middle for no reason at all, his oily thumb tips massaging the hard plastic. He would do this and also use his thumb-looking fore fingers to roughly stroke the thing with outward motions. The third and grossest of the activities with this poor plastic handle was a right handed twisting and stroking, some unconscious masturbatory gesture he hadn’t yet excelled from expressing. Henry’s face twisted up in disgust. This was not the morning image that he wanted. He couldn’t stop watching though. The man-boy couldn’t stop molesting the thing either, like there was still some un-oiled surfaces he had to cover with the sick ritualistic gestures of a pastor with his altar boy. Henry began to express his feelings of disgust on the page, describing the display very much similarly as this narrator has done above, his script jarred often by the bumps.
When he was reading on the bus, he always got the feeling like something was going on that he needed to see, some scenery or event, something he couldn’t see just anytime. He could have gone without the man-boy event. But, when he was not reading, just staring, and nothing happened, as it was apt to, he felt as though he should be productive and read. He couldn’t win, even with himself. There were always at least two books to read, and two notebooks in which to write. Besides that he kept a camera. He liked to take pictures and didn’t care if they turned out to be anything or spent an eternity catching byte dust on his computer. The act itself was enjoyable. He knew nothing about framing, technically, or really what many of the settings did. He just took the pictures how he thought they looked good. It wasn’t an analogue for experience though as it is for many these days, the Asian tourists and the Hipsters in particular. He felt that they never actually lived life but rather made proof of a life lived. They weren’t there for any of it, personally, just their human forms. There were all the Asian tourists with their factory smiles giving the V for Victory sign with their hands in every single shot, waiting until they could get home and put it on their social networking site. The Hipsters as well just made evidence of life in order for it to be posted online, going further though into that sickly realm of irony. The ironic mustaches and poses, the ironic mimicry of Asian tourists even possibly, creating some facsimile of reality that seemed labyrinthine and inescapable."

I must say that I have done no editing and would be so very fine with anyone telling me if something sounded weird or was just outright wrong. It is very possible that both things have occurred, possibly simultaneously. Anyway, that's all I got. Plus this cartoon which identifies my situation near perfectly:

Infinite Jest, Finished

Yes, big as a baby, though denser and more verbose, and I finished it. For my first time. I know that there is a second and even possibly a third time in store for me, somewhere in the future, a year past or more. I read every one of the one-thousand-seventy-nine pages (this including copious endnotes, of course) and was delighted and appalled and confused and suffering and entrenched and invested and in love throughout, in turns.

I looked everyday (nearly) at a web page which defined and explained words and acronyms and references which I hadn't the personal latent knowledge to know myself. It helped immensely and I learned a great deal of words, many of which I have still retained I hope. Post Jest I am looking at sites which dissect and analyze bits and pieces of the narrative which I may not have gleaned from the first go around. There is a lot of conjecture, but it is satisfying. It keeps me within the book I was reluctant to finish, to put down to sit there as another inert and mysterious object, a thick monolithic thing of weight. I suggest it to anyone with patience and a certain brand of literary commitment. Don't look at other books during this time. It needs your attention. Also, look to online resources and avoid spoilers. Maybe join the mailing list, like I did, and then observe or interact with the thoughtful and measured obsession that is DFW (also known as David Foster Wallace).

A website that is currently sitting on one of my Firefox tabs, running in the background, is The Howling Fantods. This specific link goes to the IJ Notes and Speculations page which I am now reading from time to time to extend my experience. It has spoilers, so if you haven't read it and want to, click to the main page. I was lucky enough to be linked on that page for my previous Infinite Jest post, in which I also linked The Howling Fantods. Another site I suggest, and have already, which is useful throughout the book is the David Foster Wallace Wiki. Super site for a supplemental. Anyway, I just wanted to publicly congratulate myself on this accomplishment. Tell me if you have read it or if I have convinced you to start it yourself. I will conclude this post with a small segment from the book which I loved the language of, so much so that I remembered the page number, which number I will not divulge.

"Then the number of times I would have to repeat the same processes, day after day, in all kinds of light, until I graduated and moved away and then began the same exhausting process of exit and return in some dormitory at some tennis-power university somewhere. Maybe the worst part of the cognitions involved the incredible volume of food I was going to have to consume over the rest of my life. Meal after meal, plus snacks. Day after day after day. Experiencing this food in toto. Just the thought of the meat alone. One megagram? Two megagrams? I experienced, vividly, the image of a broad cool well-lit room piled floor to ceiling with nothing but the lightly breaded chicken fillets I was going to consume over the next sixty years. The number of fowl vivisected for a lifetime's meat. The amount of hydrochloric acid and bilirubin and glucose and glycogen and gluconol produced and absorbed and produced in my body. And another, dimmer room, filled with the rising mass of the excrement I'd produce, the room's double-locked steel door gradually bowing outward with the mounting pressure....I had to put my hand out against the wall and stand there hunched until the worst of it passed. I watched the floor dry."

Thanks for listening.

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